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Camila Nebbia released one of my favourite albums of last year, the terrific Aura. That album showed her skills at writing for a large ensemble.
This album is completely different. It's like very private communication between two superb improvising musicians. I also like the electronics the musicians use. It's subtle and fits beautifully with the horns, which are played with great inventiveness.
arbitify
The intoxicating meandering. Farida Amadou still sounds like a sonic factory. But now she adds more discernment to her punk mindset, which makes her musicality and bass searching stand out. Here, in duet with the guitar, she finds subtle movements and temporal independence. jiristepan